From Fashion Doll to Mannequin and Back Again. Female Self-Image Between (Re)Presentation and Individuality

Authors

  • Aliena Guggenberger Ludwig Maximilian University of Munich

DOI:

https://doi.org/10.25819/dedo/132

Keywords:

Pandora, fashion dolls, mannequins, reform movement

Abstract

This article traces the evolution of the fashion doll to the living mannequin, illuminating the symbolic flip side of a female uniformity that is still valid today. In current parlance, fashion dolls are fashion victims; overly concerned with their appearance and often ridiculed. The origin of the doll narrative are so-called Pandora dolls, which instructed ladies of European royal houses about the latest fashion trends since the 17th century. Their mission turned out to be disastrous, as their function as a stiff presentation model was reassigned directly to the human wearer of the fine dresses. The doll-like type of woman criticized by reform movements around 1900 forms - metaphor and reality at the same time - the central reference

Author Biography

Aliena Guggenberger, Ludwig Maximilian University of Munich

Bachelor in History of Art and Culture at Uni Augsburg (2013-2017), Master in European Art History at Uni Heidelberg (2017-2019). Since 2019 Research assistant in teaching there. Since 2020 PhD project at the at the LMU Munich on the "System Reformkleid - The Karlsruhe fashion designer Emmy Schoch and the renewal of women's clothing". Research interests in costume and fashion history from 1850 to the present, in the arts and crafts of Art Nouveau and in the history of women around 1900. she lives and researches in Karlsruhe.

Published

2022-10-17

How to Cite

GUGGENBERGER, Aliena. From Fashion Doll to Mannequin and Back Again. Female Self-Image Between (Re)Presentation and Individuality. just a bit of doll - a multidisciplinary journal for human-doll discourses, [S. l.], v. 5, n. 1, p. 70–77, 2022. DOI: 10.25819/dedo/132. Disponível em: https://dedo.ub.uni-siegen.de/article/view/132. Acesso em: 27 feb. 2026.