Resusci Anne

Between reanimation and commodification

Authors

  • Ida Kammerloch
  • Mona Hesse Art Museum Celle

DOI:

https://doi.org/10.25819/dedo/114

Keywords:

Rescue Annie, training doll, video art, female characters

Abstract

The following article is an examination of the video work Resusci Anne (2019/2020) by Ida Kammerloch, which can be viewed exclusively via the link at the end of the contribution. In close collaboration, artist Ida Kammerloch and curator Mona Hesse have created a commentary on the film composed of film stills, graphics, background information and notes.

Author Biographies

Ida Kammerloch

Born in 1991; studied free art at the Saar University of Fine Arts Saarbrücken; 2019 master student with Prof. Lanz; 2020-2022 scholarship holder of the Karl Schmidt-Rottluff Foundation; international exhibition activity in Moscow, Valencia, Luxembourg, among others; lives and works in Vienna.

Mona Hesse, Art Museum Celle

Born 1990; MA studies in art history at the University of Fine Arts Braunschweig; 2017-2019 scientific trainee at the Kunstmuseum Celle; study visits to the University of East London and the German Forum for Art History, Paris; freelance curator and cultural manager in Hannover.

Titel_2021_1

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Published

2021-09-16

How to Cite

KAMMERLOCH, Ida; HESSE, Mona. Resusci Anne : Between reanimation and commodification. just a bit of doll - a multidisciplinary journal for human-doll discourses, [S. l.], v. 4, n. 1, p. 103–116, 2021. DOI: 10.25819/dedo/114. Disponível em: https://dedo.ub.uni-siegen.de/index.php/de_do/article/view/114. Acesso em: 24 nov. 2024.

Issue

Vol. 4 No. 1 (2021): Dolls/puppets as soulmates – biographical traces of dolls/puppets in art, literature, work and performance

Section

Focus

License

Copyright (c) 2021 Ida Kammerloch / Mona Hesse

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.