Louisa Clement's ‘Dolls’.

Reproduced Bodies Between Virtuality and Reality

Authors

  • Nina-Marie Schüchter Heinrich Heine University Düsseldorf

DOI:

https://doi.org/10.25819/dedo/133

Keywords:

Body, digitality, digital imagery, sex doll, female body, social media, avatar, gender, artificial intelligence, skin

Abstract

Sex dolls with AI (artificial intelligence), candy colored avatars and photographed (shop window) dolls: In Louisa Clement's works the doll appears in different shapes as a central motif for questioning the human body in digital contexts. Fragmented, anonymized, and almost dehumanized, dolls, avatars, or seemingly lifelike reproductions of the artist's body confront viewers. The absence of the physical body, which is suggested in the dolls as representatives, leads to a tense interplay between virtuality and reality.

Author Biography

Nina-Marie Schüchter, Heinrich Heine University Düsseldorf

M.A.; studies of art history, German language and literature, and art and design science in Düsseldorf, Basel and Essen; scientific assistant at the Institute for Art History at the Heinrich-Heine-University Düsseldorf, where she is currently doing her PhD on the phenomenon of the Wunderkammer in contemporary art. Research interests include chambers of art and curiosities, collecting as an artistic practice artistic practice, art and the Anthropocene, dolls (discourses) in art, Women Artists in Modern and Contemporary Art, and Feminist Art History.

Published

2022-10-17

How to Cite

SCHÜCHTER, Nina-Marie. Louisa Clement’s ‘Dolls’.: Reproduced Bodies Between Virtuality and Reality. just a bit of doll - a multidisciplinary journal for human-doll discourses, [S. l.], v. 5, n. 1, p. 78–87, 2022. DOI: 10.25819/dedo/133. Disponível em: https://dedo.ub.uni-siegen.de/index.php/de_do/article/view/133. Acesso em: 18 oct. 2024.