Vol. 4 No. 1 (2021): Dolls/puppets as soulmates – biographical traces of dolls/puppets in art, literature, work and performance

This fourth issue of de:do takes up the thematic focus on dolls/puppets as soulmates – biographical traces of dolls/puppets in art, literature, work and performance. It is about the impact of early doll experiences in later artistic work and thus about the possible (biographical) roots and connections of doll motifs and doll narratives in artistic-literary work. Doll/puppet references in work and creative processes can transform early experiences of biographical breaks and harm or integrate them in an artistically productive way, but they can also be an expression of continuity and intensification of early experience and preferences. The present contributions deal with doll/puppet-related artistic forms of expression, which are formally presented in different ways: as science-based text, self-report, miscellaneous, review, interview and: work of art. Doll/puppet collections, the making of particular puppets, literary puppet texts, performances and images are examined and addressed. In addition, further contributions were included, which deal with dolls as variants of "artificial humans" in the most diverse thematic contexts. Most of the contributions indicate that the affinity to the “phenomenon of the doll” in its various artistic forms of realization refers to biographically shaped traces: as a means of expression and representation the doll thus also stands for something special about the human beings who refer to it artistically and interact and "play" with it.

DOI: doi.org/10.25819/ubsi/9992      (Forwarding to the publication and document server OPUS Siegen)